Colie — Some Facets of King Lear

Colie, Rosalie L., and F. T. Flahiff, eds. Some Facets of King Lear: Essays in Prismatic Criticism. Toronto: University of Toronto Press, 1974.

Rosalie L. Colie, “The Energies of Endurance: Biblical Echo in King Lear,” pp. 117–44

Imfeld — Theology and Literature

Imfeld, Zoe Lehmann, Peter Hampton, and Alison Milbank, eds. Theology and Literature after Postmodernity. New York: Bloomsbury, 2015.

Introduction: Hospitable conversations in theology and literature: re-opening a space to be human / The Editors. Part 1: Pedagogy. 1. Religion, History, and Faithful Reading / Susannah Brietz Monta; 2. Theology, Literature and Prayer: A Pedagogical Suggestion / Vittorio Montemaggi; 3. Bleak Liturgies: R. S. Thomas and “changes not to his liking” / Hester Jones — Part 2: Theological and Literary Reconstructions. 4. Belief and Imagination / Graham Ward; 5. Literary Apologetics beyond Postmodernism: Duality and Death in Philip Pullman and J.K. Rowling / Alison Milbank; 6. Cusa: A Pre-modern Postmodern Reader of Shakespeare / Johannes Hoff and Peter Hampson; 7.’The One Life within Us and Abroad’: Pathetic Fallacy Reconsidered / Gavin Hopps; 8. Love Among the Ruins: Hermeneutics of Theology and Literature in the University after the 20th century / Jeffrey Keuss; 9. Thrashing between Exoneration and Excoriation: Creating Narratives in We Need to Talk about Kevin / Zoë Lehmann Imfeld; 10. The Shakespeare Music: Eliot and von Balthasar on Shakespeare’s “romances” and the “ultra-dramatic” / Aaron Riches; 11. Fictioning Things: Gift and Narrative / John Milbank; 12. Language, Reality and Desire in Augustine’s De Doctrina / Rowan Williams.

Hamlin — Cambridge Companion to Shakespeare and Religion

Hamlin, Hannibal, ed. The Cambridge Companion to Shakespeare and Religion. Cambridge: Cambridge University Press, 2019.

“Nothing in Shakespeare’s England was as important as religion. Questions of faith informed everything from history and politics to love and family, work and play, good and evil, suffering and sacrifice, and ultimately life and death. Every one of Shakespeare’s plays is rich in allusions to the Bible, church rites including baptism, communion, marriage, and burial, and a host of religious beliefs. This Companion provides an essential grounding in early modern religious history and culture and the ideas that Shakespeare returns to throughout his career. Chapters dedicated to close-readings of individual plays or groups of plays span both the complex and variegated Christian beliefs explored in Shakespeare’s work, as well as the treatment of Judaism, Islam and classical paganism. Authored by an international team of eminent scholars and featuring an Afterword by Rowan Williams, this Companion is the most comprehensive and incisive guide to the topic that students will find.”

Burgess — Bible in Shakespeare

Burgess, William. The Bible in Shakespeare: A Study of the Relation of the Works of William Shakespeare to the Bible, with Numerous Parallel Passages, Quotations, References, Phrases, and Allusions. New York: Fleming H. Revell, 1903.

Reprinted: Haskell House, 1968.

Miller — Double Hunt of Love

Miller, Robert P. “The Double Hunt of Love: A Study of Shakespeare’s Venus and Adonis as a Christian Mythological Narrative.” Ph.D. dissertation. Princeton University.

Abstract: Dissertation Abstracts 14 (1954): 2338

 

Lemon — Blackwell Companion to the Bible in English Literature

Lemon, Rebecca. The Blackwell Companion to the Bible in English Literature. Chichester and Malden, Mass.: Wiley-Blackwell, 2009.

Contents: Part 1. — General introduction (by Rebecca Lemon, Emma Mason, and Jonathan Roberts). — The literature of the Bible (by Christopher Rowland). — Biblical hermeneutics and literary theory (by David Jasper). — Part 2: Medieval. — Introduction (by Daniel Anlezark) — Old English poetry (by Catherine A. M. Clarke). — The medieval religious lyric (Douglas Gray). — The Middle English mystics (by Annie Sutherland). — The Pearl-poet (by Helen Barr). — William Langland (by Mary Clemente Davlin). — Geoffrey Chaucer (by Christiania Whitehead). — Part 3: Early modern. — Introduction (Roger Pooley). — Early modern women (by Elizabeth Clarke). — Early modern religious prose (by Julie Maxwell). —Edmund Spenser (by Carol V. Kaske). — Mary Sidney (Rivkah Zim). — William Shakespeare (by Hannibal Hamlin). — John Donne (by Jeanne Shami). — George Herbert (by John Drury). — John Milton (by Michael Lieb). —John Bunyan (by Andrew Bradstock). — John Dryden (by Gerard Reedy). — Part 4: Eighteenth century and Romantic. — Introduction (by Stephen Prickett). — Eighteenth-century hymn writers (by J. R. Watson). — Daniel Defoe (by Valentine Cunningham). — Jonathan Swift (by Michael F. Suarez). — William Blake (by Jonathan Roberts and Christopher Rowland). — Women Romantic poets (by Penny Bradshaw). — William Wordsworth (by Deeanne Westbrook). — S. T. Coleridge (by Graham Davidson). — Jane Austen (by Michael Giffin). — George Gordon Byron (by Wolf Z. Hirst). —P. B. Shelley (by Bernard Beatty). — Part 5: Victorian. — Introduction (by Elisabeth Jay). — The Brownings (by Kevin Mills). — Alfred Tennyson (by Kirstie Blair). — The Brontës (by Marianne Thormählen). — John Ruskin (by Dinah Birch). — George Eliot (by Charles LaPorte). — Christina Rossetti (by Elizabeth Ludlow). — G. M. Hopkins (by Paul S. Fiddes). — Sensation fiction (by Mark Knight). — Decadence (by Andrew Tate). — Part 6: Modernist. — Introduction (by Ward Blanton). —W. B. Yeats (by Edward Larrissy). — Virginia Woolf (by Douglas L. Howard). — James Joyce (by William Franke). — D. H. Lawrence (by T. R. Wright). — T. S. Eliot (by David Fuller). — The Great War poets (by Jane Potter).

DeCook — Shakespeare, the Bible, and the Form of the Book

DeCook, Travis, and Alan Galey, eds. Shakespeare, the Bible, and the Form of the Book: Contested Scriptures. London: Routledge, 2012.

Contents: Introduction: scriptural negotiations and textual afterlives (by Travis DeCook and Alan Galey). — Shakespeare reads the Geneva Bible (by Barbara A. Mowat). — Cain’s crime of secrecy and the unknowable book of life: the complexities of biblical referencing in Richard II (by Scott Schofield). — Paulina, Corinthian women, and the revisioning of Pauline and early modern patriarchal ideology in The Winter’s Tale (by Randall Martin). — The tablets of the law: reading Hamlet with scriptural technologies (by Alan Galey). — Shakespeare and the Bible: against textual materialism (by Edward Pechter). — Going professional: William Aldis Wright on Shakespeare and the English Bible (by Paul Werstine). — “Stick to Shakespeare and the Bible. They’re the roots of civilisation”: nineteenth-century readers in context (by Andrew Murphy). — The devotional texts of Victorian bardolatry (by Charles Laporte). — Apocalyptic archives: the Reformation Bible, secularity, and the text of Shakespearean scripture (Travis Decook). — Disintegrating the rock: Ian Paisley, British Shakespeare, and Ulster Protestantism (by David Coleman).